Tag Archives: poetry

Driftwood Days

Driftwood Days

 

The sea has examined me into this shape
I have come so far only because of what is left

How can I not accept it gratefully how can you not
if the entire sea can do it I would say give it a try

I do not have the power to observe you into love
but something of us both has been examined

Wave by wave into a lean slightness no vessel
because it goes all directions at once having come so far

with its hollows and whorls soothing to the waves
no difference between inside and outside

It no longer matters what is missing it never did it turns
out it was always this floating thing and never that

Evening Sky

Liz Doyle

Liz Doyle

Evening Sky

from a painting by Liz Doyle and a photo by Ann Koplow

Night had already begun to hug the lowlands
when his back to the pale faces of the outbuildings

their remnant glow against the forgetting day
I thought I saw Turner out there

tying himself to a piece of sky shadow
to ride out the violent vault into night

A mile up the day was still swirling
like love thundering in the chest well after

the details have been lost still Turner
tearing clouds with his brush into the idea

of clouds wonders if he’s leaving
something out he’s never believed

the details mattered although they meant
all the moment could form into and change

From the cumulonimbus he sees an old man
preparing a thatch hut against the wind

And a town lobbing light into the sky
The man’s thoughts are fireworks reflected

In the village fountain and to Turner who feels
the clouds free him who feels he let go first

the fireworks in the fountain some times
are clearer than the fireworks in the sky

Ann Koplow

Ann Koplow

Small Sea Monster

Small Sea Monster

from a sculpture by Severo Calzetta da Ravenna
 

The sea monster of 16th century Italian origin
looks in bronze like a freak show dog with scales

and a half human face. Its webbed hands arched
delicately like a lawyer’s on a witness stand just before

cross examination. A tail that could be a dinner bell.
Coming up for air from another dream of drowning

I think the tiny dog standing on my chest looks more sea
monsterly, and I wonder if I’m exchanging

one depth for a murkier other, of waking.
it’s only at the surface that we’re surprised

by what breaks through, in the shallows
that things get stranded between tides

like this hideous thought splishing about
that in the deep would be graceful, near invisible, at home.

Self Portrait at Forty Nine

Self Portrait at Forty Nine

Even in a small town there is a sound arriving
through the silence like the breath of the tiger

hidden in every house. Asking how can something hidden
arrive, finally, to the place it’s always been?

Nevertheless there is no standing on reason
for that is the mystery I hear in the silence

before the house wakes, when the train sound slides
away and the bells of competing churches hollow

out to the thinnest reminder of passages time turned
away from to linger on a single guitar chord,

from this open window, now long gone, hours
later, as I lay in bed and when the entire neighborhood

is between breaths I hear this breath, this sound
arriving to the place it’s always been. Earlier today

my neighbor dug up with his bare hands four solid
concrete steps leading from the curb to the space

between our houses. As if there was an invisible
house there all along, and in absence of anything

but a passage all we can do is wait to see
who owns it, or who will come visiting

in the silence, or if the sound arriving is simply
the door we cannot yet see, not yet open.

fortynine

Another Full Moon Night, Under Clouds

fullmoonwithclouds

Another Full Moon Night, Under Clouds

 

Weightless, local, essence of form but in no form
that keeps, these clouds block my view of the one

thing we can both look at tonight and know we share
the same world. It is not enough to know it’s there—

I must know that I see what you see. But if clouds,
empty of all illusion of form or permanence,

absorb their share of the moon’s glancing light
then maybe this love, shorn of time and setting

and shape, is equally bright and worthy
whether we see the moon or not

Soaking Wet Suite, for Human and Any Available Instrument

Soaking Wet Suite, for Human and Any Available Instrument

 

Wherever you hide from the rain becomes the rain’s instrument
the roof over your head tin or tar the glass and metal casing of cars

and every room in the house has its own sound of soaking wet
Earlier today the instrument was me at first the sound of a dry being

surprised by downpour and seconds later was already the sound
of saturated work clothes and splat of drops on hair as wet

as it could get: I love these sounds but I’ve had enough
Tomorrow I’m going out to listen for the sound of things drying

Spring Thunder, Spring Lightning

Spring Thunder, Spring Lightning

Hungry ghosts bang their empty bellies
Who ever said the kettle cares not for the meal?

Trees lean to the earth and touch it like Buddha
asking the grass safe in its smallness to be a witness

That what looks like sorrow is sacred; and on this open
parking lot the rain slides under cars like a sea of snakes

and toward this tree under which I stand for shelter
where the yellow  teeth of monkeys flash behind the leaves

It is Before

It is Before

 

Cool spring wind. It is before crickets.
Before the night sit-ups and downward dog.

It is before cobra pose and crow pose, the time
of sky that carries a moth the color of birch bark

To my desk who will land on the rim of my eyeglasses
mistaking reflection for source.

It has the scent of yesterday. It is
before the century I was dropped in the middle of,

before the one I’ll finish well ahead of
its resolution. Before the silence that follows

the wind, spring wind say where you came from
who you woke before me in the native tongue

of her flowers and the throat of her open
windowsill and the hair your whisper shifted

across her ear as she slept? It is before
her I tossed love into the wind like a kite

on a twine of trust, before I lost sight of it,
and still long before I have given it up.

[publications] New Orleans Review, “Roadside Attraction”

Today my poem “Roadside Attraction” was published on the New Orleans Review site. It’s on the site’s main page, and also has its own little link here.

My thanks to the editors there who saw fit to give this poem and “The Push Pull” some exposure to the NOR’s readers.

The poem is based on an experience driving home from Kure Beach near Wilmington, NC in the twilight hour, as the carny atmosphere is just starting to light up on the main drag between the beach and the city.

The Space

The Space

 

At a stoplight this morning daydreaming facing south.
Gazing at the left turn light for traffic heading east

I see green and for a moment in the space
between sight and cognition I’m confused

my foot leaves the brake pedal I look in the rearview
expecting to hear a horn behind me then the space

compresses  my foot stamps back on the pedal
awareness leaps the gap to vision reminds it

the light is still red on my side nothing has moved
in my lane but the trip through that space

eye to brain foot to pedal assumption to
action that space stretching out

lengthening that is what I fear