The six essentials for landscape painting, according to the sage, poorly translated without the benefit of the original
The brush moves forward, seizing forms without hesitation
with the elegance of an unanswered prayer
The voice of the brushwork is like a breath
in the blackness nudging against the window screen
In the left third the closest mountain
signaling from a distance appears
The shadow of right action
Moving freely through the forms
But in the ink wash we see it for what it is
A pile of unanswered prayers
The master cracks the brush and rubs his eyes
There are not enough mountains for that