Tag Archives: Wind Intervals

Wind Intervals book launch tonight 7PM

Come to the Wind Intervals book launch tonight at Black Swan Books. If you are holding the right program, you could win a fine piece of letterpress printing from St Brigid Press!



The programs are folded and numbered. The books are printed and bound. The home-made Langues de Chat (cat-tongue cookies!) are cooling by the oven. The coffee is ground and ready to be brewed.

It’s time to launch this book.

Yesterday I met Emily of St Brigid Press to sign pre-orders for Wind Intervals. I was amazed to find that over two thirds of the special edition are already spoken for.

I hope to see some familiar faces — and some new ones — tonight at 7pm. I have tinkered with the idea of recording the reading or broadcasting it via Facebook Live; we’ll see what we’re up for by the time we get set up.

Hope to see you there!

WIND INTERVALS book launch update!


As the publication date of Wind Intervals — and its accompanying book launch on April 28 at Black Swan Books in Staunton, VA — draws near, I took some time this morning to drive over Afton Mountain to visit Emily Hancock at St Brigid Press to get a glimpse of the first bound books. (Of course I took a few copies away with me.)

It may be because I brought Emily a big cup of black coffee which she really did not need, but soon we were engaged in a rambling high speed talk about what it’s like to be the designer and printer of a book of poems in a letterpress environment. I started recording about halfway into our talk and wanted to share it with you in case hearing two people get nerdy about printing presses and book design and handmade paper is your Kind of Thing.

We talk about the making of the amazing hand-made cover paper for the special edition of Wind Intervals (seen in the photo above); how it’s likely that a letterpress printer spends more time typesetting and printing a poem than the poet spends writing the poem; we introduce weird words like “couching” — pronounced “cooching” — to the Poor Listener; we talk (I think!) about the use of actual Japanese maple leafs for illustrative printing inside the book; we talk about the relative stupidity of deciding to go with leaf print illustrations in the dead of winter when there are no leaves to go out and pluck from the trees outside; and Emily talks about the makeup of the two editions of the book and the materials that went into each.

The Japanese maple that loaned us the leaves for the illustrations stands just about twenty feet from the entrance to the Press. It’s in full leaf now, as is much of the mountainous area around us.

If any of that interests you, check out our rambling and entirely unedited conversation below or here.

To find out more about Wind Intervals and to pre-order a copy before the April 28th book launch, check out the blog at St Brigid Press.

Publications: Wind Intervals


I’m excited to announce that St Brigid Press will be publishing a beautiful letterpress edition of a selection of my poems, Wind Intervals, in late April — just in time for National Poetry Month.

The book will be hand-set in Bembo type, printed on a beautiful and rugged 1909 Golding Pearl treadle press on the other side of Afton Mountain at St Brigid’s not-entirely-top-secret headquarters, guarded by trees, a gregarious dog and stunning mountain views.

There will be a Standard Edition, hand-bound at the Press and limited to 150 numbered copies ($24), and a Special Edition, limited to 35 numbered and signed copies, printed on Revere Book mouldmade text paper and hand-bound with St Armand handmade covers ($35).

You can hear me read two of the poems from the book here on the St Brigid Press site.

The book’s publication date is April 28, 2017. We’ll gather at Black Swan for a book launch and reading. If you pre-order with St Brigid and cannot make the trek to Staunton, I’ll gladly sign copies at the launch before they are shipped.


As you can imagine, creating a letterpress book involves considerable work, including setting each letter (and space!) by hand in metal type. On a Golding press, the type is actually suspended type-side down for printing (which somehow seems right for my poetry!) after being locked tightly into place by wooden blocks and metal quoins.



I will keep you updated as work on Wind Intervals proceeds! Check out the St Brigid Press site for more information on the book, additional photos of the book creation process, and to hear two of the poems.