Conversations (XVI) — to the first snow
From a mostly blue sky
A few stray flakes sink.
But the vultures don’t fall —
More weightless than air
Drifting with a gray horizon.
From a mostly blue sky
A few stray flakes sink.
But the vultures don’t fall —
More weightless than air
Drifting with a gray horizon.
I walked in a circle around an idea.
Like a car in a well-lit parking lot it cast many faint shadows
Spoking out in all directions, but was itself unperceived, as is
Anything at rest exactly where it should be.
Like a circle of vultures it led me to myself walking
Injured by the road’s edge. I’m still not sure what hit me. That
Would have been the good poem.
I have seen crows measure themselves against a hawk
to secure territory. A single crow settles into a branch
a few limbs away from a red tailed hawk, hopping awkwardly
closer then gawping its recognition and the echoes
of recognition bring more crows as if the crows
themselves were the echoes coming back. We know
how this ends, with the hawk taking flight and shrugging
them off, literally–with a few flicks of its shoulder
it is gone. But stronger or not, in the end it leaves.
This morning the crows behind my house
were raising a racket but nothing was rising
over the treeline. They hopped agitated from
tree to tree but kept to the lower branches.
Overhead like staples in the gray sky a hundred vultures
circled and swerved, like figure skaters
freed of all pretension of looking human
but they did look human, these angels
of death, or maybe turning to go back inside
I caught their reflection in the kitchen window
as if they were already inside the house,
waiting for me there, a semblance of the thing
that has crows giving ground without lifting
a wing. That after all there’s no owned territory,
that there’s something recognition alone won’t harry.
Through the honest tree limbs a hundred vultures float
like a cloud of gnats. No like the floating ashes of burning leaves.
No as they get closer I see they are stitching something
into the air, shape of a common hunger borne aloft
and visible only through this inscribing of individual
wills in contrast and in wind, swirling like the last
sip of wine in a glass, up, down, settle, rinsed away,
all just a matter of perception of a form against
its temporary constraint, not ever really part of your
moment when it continues on, or ceases holding
your own thought against the edges of your world
as if the world was something to hold your drink
or your memories, or even your body in its form
perceived from two hundred feet up and a quarter
of a mile away as something too big to land on and eat.