Dandelion
The spokes come off the wheel
and the invisible vessel keeps moving
to a hundred destinations
At each a wheel the size of an eye
looks in a hundred directions
and the world is big again
The spokes come off the wheel
and the invisible vessel keeps moving
to a hundred destinations
At each a wheel the size of an eye
looks in a hundred directions
and the world is big again
In my son’s room at dusk a firefly floats to the ceiling
I know outside they are rising to the thick canopy
in the backyard where even the night barely gets through
When I walk out the fireflies are re-arranging the constellations
as if they are not sure what shapes to believe in
Here I am at fifty recognizing no shapes of belief but noticing
the vectors of illumination There are crickets
in the high grass near the fence I haven’t had the heart
to cut back in this yard I will not see next spring
If only Len had stopped by on his way from Turkey to pick me up in his private jet, I might have made it out to this reading in Austin a few days ago. Luckily, the poet was recorded sharing his work with a responsive crowd. There are too many great lines and great poems squeezed into fifteen minutes for me to quote, but there is talk of snail sex, love darts, spreadsheets, rain forest bridges, wind, trust, love, and the moon. Thanks to all the folks at Malvern Books who I will never meet for recording the reading and posting it here. Robert’s own website, O at the Edges, is also well worth traveling to. Enjoy!
It is more than how quickly these lines reach you.
It is that they move you. How through them
You change position in time. I used to think love
was the measure of an object’s rotational inertia,
Well not exactly in those words, but how things
in a given state should stay in that state without end
But I was mistaken, that measure is simply mass
as it spins or doesn’t, assuming further it has a center
Around which to spin and absolutely nothing
that could make it wobble or twist. Your hands
And wrist gently, impossibly, your neck and jaw
set the stillness spinning, under the hidden moon
And the leaves with their riot of turning stems
in the slight breeze and the alternating paths
They allow the light to the pavement
beneath the sycamore limbs, as we stand still
Moving on the inside, or move over time, love is the change
In direction or speed, love is the inconsistent
liveliness, the moving picture, projected on any surface,
love is just keeping up with it, keeping up.
On the mountain rain falls, snow melts.
The source of the river is the sky.
So it is that the source of love is not within reach
But flows over me and carves my every direction.
The source of the river is the spring. So it is
That I can never go back to the source of love
but it spends itself constantly on my behalf;
So it is that the very earth is between us
but the very earth gives a way to us in the shape
of a river. The source of the river is a bog.
Like energy, love has no direction. It can be hidden
as potential until the porous ground can hold
no more and it breaks into acceleration
embanked by our lives, carrying us beyond
ourselves towards a wider body evaporating into the sky
I left everything in a hotel room on my way to another
An eight year old boy rode his new bike with no training wheels
On the street I caught a blue pouch thrown by a stranger
I knew by how it settled into my palm it was a string of rosary beads
A butterfly fighting the gentle morning breeze on the hill again
and again to land on a dead squirrel and feed
Two early fireflies high in the ash tree’s night canopy
where earlier in the day hundreds of white flowers
Floated down, tiny parachutes onto new grass
The moon sparking off a tin roof like a match
My wife lay her head on my chest to listen to my heart
as I awoke from a dream of laughing
12.
Midnight. In a corner of a room
a few days away, a half century crouches.
In the dark the corners of the years round up
certainty into the smooth black mast
against which direction flaps without words,
a trunk removed from its roots.
In the morning it is the maple and its shadow
unwinding along riverways of air and light.
The maple is old but the leaves always young,
the hours of the year, the half million
minutes through which we extend and end,
define the canopy of entirety itself by the shape
of what we miss. We shed time but are shaped by it;
wine on a quiet night, before crickets.
In the night the unseen stretches out.
Grass growing just before dawn.
I think I see the moon in my window
but it is the ceiling lamp’s reflection.
At lights out, the windowframe relaxes.
We spread downhill, and into the air a giant
centimeter. The real moon shakes hands
with every cloud. Even without eyes it
does not miss a single one. When morning
light crawls down from the treetops
and you are out with the dogs the grass
cannot believe how much you have grown.
Nothing gets done by paying attention.
10.
No moon. God has no early evening plans.
Oak and walnut leaves spread across the neighborhood,
A planet whirs like a lime between the new leaves.
A bright spot. A memory. Gone in the morning.
If there really is a time to be still it is now: a cell
splits, reforms, comes whole, continues,
is cut out, spins like a leaf into a space
of no-being, hard matter. Alone on a bed
you will suffer the speed of being observed
as from afar while the world spins, they lean away,
your loved ones, into the dark, come round again.
In the mean time, when your light winks or is blocked
by the slightest breeze against a leaf, we will know
and run with you to keep you in sight, at the speed
of the day’s suffering itself to be tracked by shadows,
and together find the time to be still.