Monthly Archives: January 2014

The Maple

The Maple

 

Near the top of the mountain
Across the grief of February’s empty arms
A single maple bursts into red buds.

*

The tree is not predicting spring, I note
And though alone, as I am, driving past,
Is not a symbol of courage, or a prophet, as I think I’d like.

It’s a being of air and earth, maybe keener
Than its cohorts at sensing a change in soil
Or air enabling itself to change

Into its next self.  In the morning
I hear the birds it cannot hear that tell me things
Are on their way to April.  I have my own cues

To draw from me the things I grow.
But that can’t be all: the Anglo-Saxon maple harp,
Excavated from a barrow in Berkshire,

Still struck an open chord
Across the dirt of centuries.
The maple love spoons carved by Welsh

Ancestors hang on the thrift store wall
And can still be recognized for what they are:
A domestic object wrought with

A passion undomestic and ornate. The maple
Is  durable for carving and can hold personal feelings
Far longer than the body can. Long after grief

Has run its course and the forces of air and earth
Have consumed us back into the world of unerring matter
And our family trees severed from this single point

Of meeting. Maybe that’s why this maple means
What it means to me, alone and driving by.

 

from the collection The Artificial Horizon

Outside In

Outside In

 

The garden is in the recluse, not the other way around.
You rivers and mountains pale against the heights and gorges

She must climb. I am the hand in her mind where thought gets tough.
I am the step suddenly appearing. In the calm harvest fields I know

I have often been missing, off on the mountain’s other side.
But in the slow running river my boat is not far away,

she’ll call a breeze to fetch me faster than words paddle. Here in her
garden, I’ll meet the better me, nodding as I pass on my way to her.

Diminishing Returns

Diminishing Returns

 

I crack the window, listen:
What message can this cold wind carry

but this breeze won’t tilt my room’s way and come in
I reach out it slips through my fingers

Unkind even to the moon it has taken a little off the top
Diminished month sent howling through the pines

Unauthored, not meant to be read –
or merely hurrying by, a forgotten promise?

Two short poems, considering Qianwan

Qianwan, or On Looking Up Several Times to the Horizon While Reading

There is no shape of the tree
though we identify the tree by its shape
what I see in trees and steel sky
is patience and distance

Qianwan, or Some Thoughts at Ground Level

If river ice or puddle ice breaks
under the weight of the waning moon
what we’ll find beneath is the waning moon
can I love you any more fully beneath this sheath of being?

Weiquan

Weiquan

The trees have long been silent
the strongest wind coaxes only a hum

Or hiss but sometimes
outside my window the downed leaves

Still murmur like a river
calling a kingfisher home

Two Views from a Window, with Spiders

Afternoon view

Dimming roof. A scratch in the window
autumn’s spiders’ work can’t touch
catches January sun’s sleepy look back

 

Morning view

Way up a contrail drifts
over the roof like a lost spider’s thread
missing the tree by miles

The Future

Like a terminal bud, the future sits in dark resilience, weathering the present’s timeless winter, wrapped in the protection of tight embryonic leaves of the past, of memories packed in but not yet ripened which will unfold at the right moment, under accidental warmth or the persistent downpour of circumstance, they will unfold, crowning and surrounding that which has not yet happened in sudden green gestures growing as they are revisited and directing the warm rain of the mind to the center where the fruit is forming. All the colors of the spring are memories blooming and feeding the future. All this time we have misunderstood the past, blamed it for distracting us from the task at hand; it was never like that. Wasn’t the task at hand always shoveling snow? Wasn’t it always salting the walkway?  Still we could not escape the present as we cannot escape a blizzard, the white-out of no context, the compulsion to turn one’s head from a cold wind. And when the future is finally ready, when the memories darken slightly in their turn across the sun’s ninety faces then the present will come, not knowing why it is coming, as bee or bird or squirrel come but do not know why, and take the future on the only journey it cannot travel itself. And if we wonder why we lose the memories it is because their work is done, they can finally loosen and twist away in the tug of the present. Already we will have forgotten what it was specifically that was done, the hand on your back lightly, the walk through the teeming streets,  but it will have served the reason for that touch, its continuing love, it can be forgotten for the love is still waiting, just ahead, it has never left you, it has always come back, even as the ground beneath you stiffens with frost, it is what makes you see beauty in the momentary lapse of attention to the present which we mistake for the present moment, beautiful even in the coldest full moon of the year bright on the metal roof of an empty house.

Winter Moon Waxing

Winter Moon Waxing

 

No bird in the bare trees this evening
No rain or wind, no snow’s cushioned silence.
The twisted branch is capped, the sap beneath waiting
The clouds are without qualities this mild lonely night
In hours with wind from the north their drift would be enough
Even the moon behind them is too bland
Oh where is the weather to absorb sorrow
This vacant dark not empty only reflects

Drinking Wine with Li Po

Drinking Wine with Li Po

 

The bottle-less nights dead-man’s-float on the drifting water
the moon’s cup fills with early January
until it is sideways with days but nothing spills out
these brown maple leaves hanging on by mistake
like old hands brush against me
I know them but they do not recognize me
but still they reach out: old moon keep your drink
I do not wish to embrace you