Monday the 9th [from “The Week,” a series of 7 poems leading up to Friday the 13th]

peoniesinsnow

Monday the 9th

You traveled
For the entire duration of your time in this shape

With the ease of falling
To be stopped a fraction of a second before

Fall’s finality — caught in a gesture going
The other way, like

Some make a trip to a place to forget it all
And take pictures to remember the trip

Sunday the 8th [from “The Week,” a series of 7 poems leading up to Friday the 13th]

snow8th

Sunday the 8th

The way the weather ends
And begins a discussion

About everything surviving
The weather. The way

Unexpected snow falls
Like a silhouette of spring

Sitting patiently as we trace
Its shadow. The way the sun

Arcs like a baseball hit so far
It will land in the last parking lot

Ever, bounce off the hood
Of the car of the only person

Who stayed for the whole
Game. The way the car’s

alarm, like any true alarm
Will be silent. The way we

Keep score as if it all
Won’t be gone soon enough.

Saturday the 7th [from “The Week,” a series of 7 poems leading up to Friday the 13th]

springsnow

Saturday the 7th

All the ghosts of the dogs
Afraid of thunder hide

Under the bed. The bed
Is not on a frame, two

Thick box springs on the
Floor simply shoulder

the mattress like Atlas,
or Sisyphus maybe:

Every night they roll us up
The hill of sleep and every

Morning we wake and crush
Hours of dreams into oblivion.

Underneath even that there’s plenty
Of room for the terror of loyalty.

I’d like to think the dog
Ghosts are what

Wake us up. They are more
Important than dreams

And they are afraid even when
There is no thunder, like today

There was spring snow, so light
That after hours it had barely frosted

The twiggy ground cover still waiting
For leaves. Under the box springs

The dogs shiver. The snowflake
Shatters like glass. Something left

Outside in the storm moans like
It is not the wind, after all.

Full

march31moon

Full

It’s after cats but before owls.
The moon fills its pockets and hangs

Out behind the house next door.
Like the sky’s a comfortable side street

You can ride a skateboard or bike along
And find a new favorite skipping stone

You’ll hold onto until the next time
At the creek, which will be days from now

And you think of the curve of her shoulder
As she threw and the water was too

Respectful to swallow the stone, the
Three steps it took on the water and the click

Of it coming to rest on the other bank
And like that you’re rising, full of someone

Else’s light, up above the neighborhood
And the whole world can see you now,

Like the sun on her shoulder,
The whole world can see.

Tarot Basics for Late-Night Walks

Tarot Basics for Late-Night Walks

All things being equal
I will take the eight of swords.

The lady in my dreams sits up the tree
A ways next to the star. The card

For the eight of swords has only four edges
But each is a double edged sword

So you should keep it in your pocket
When approaching trees in dreams.

Five Devastating Kicking Techniques

Five Devastating Kicking Techniques

kick

Pancake kick
Sit down into the kick
And spread out until you are irresistible.

Trophy kick
Hold a single moment mid-kick
Perfectly balanced and do
Not move the rest of your life

Winter Weather Warning kick
Promise vengeance. Promise no mercy.
Then walk softly and meekly past.
Then kick a week later.

Spring kick
Turn your kick into soft raindrops
That hurt nobody. Immediately
A million small green kicks emerge.
People come outside and beg to be kicked.

Love kick
Kicking the habit is
Just another kick.

Landscape, with highway litter

Landscape, with highway litter

Off the main road the weather has herded
Things long forgotten on invisible avenues

Of air. Most of our paths are so transparent
We can’t see the end coming:

In a high branch a plastic bag full of wind
Perches like a hawk surveying the field.

Before Sleep and Work

Before Sleep and Work



Tonight I will enter these lines in the shared diary of souls

Because I know I must add them before they disappear 

And I alone am responsible for their care.
It will be read by a few, the words all that is clear

But the meaning, while not obscured, different to each

As if we each see the same thing with our own eyeglasses, which focus things perfectly for that one or this one.
If there is a single meaning it will elude me as well

Though I am first to chase it down 

Like a boy chases his shadow.
Then I will be able finally to sleep

And when I wake like a child sitting up

In the surf as dreams cascade around me and fall back into a larger mass of presence,

I will open the double doors of the newspaper office
And say hello and walk up the old stairs wide enough for a car to drive up them

And type out the writing that will reach thousands

And be quickly read, thousands of words instantly forgotten 
Though it must leave a single shape of meaning, even if muddy,

Even if only for a short time, like a child’s castle by the surf
Still standing amid the roar of nearby waves

And the flutter of a newspaper pulled out of a sunbather’s hands by the wind

That will distract other beach goers,

Who will turn as if the shadow of someone familiar could be seen on the sand.

Mid-March Snow

march snow

Mid-March Snow

When people die their eyes change color
As their vision turns inward in the seconds

That close decades of doors. They hear brand new
Sounds from their bodies, of people walking

Away from their jobs for the last time, of a family trying
To sleep the night before they leave a house

Nobody will move back into, of the crew
After the show packing now-silent instruments

Into their individual velvet darknesses.
The brevity is a single color, never seen

Before. Like a snow just before spring
It redefines the shapes of things

And then melts away, too fast and too slow
For consciousness to follow. But one

Does, alone, catching up to an echo, of
eyelids sliding shut against snow’s sudden glare.

The Burnt Chapel

The Burnt Chapel

The chapel of Ease was destroyed by fire
Left by a population fleeing the ruins of war

Along a stagecoach connection overhung
With spanish moss. Two brick walls hang

On like stagecraft from the sky. The foundation
Seems hardly to touch the ground, never had

A chance to dig roots into the sandy soil
Around the river whose local inhabitants

Called Big Bends. Two lead-crossed
Round windows, like cartoon eyes of the dead

Stare uncomprehending through spanish moss,
the wisps of song surviving on air alone.

The Yemassee started the American Revolution
Sixty one years too soon. They’d already left

One home and decided to stand and fight
For the second one against slavery and cruelty.

Sixty one years. People live and die
In that span and tribes disappear. The chapel of

Ease was rebuilt and destroyed and will
Not be rebuilt. The hanging moss, like so many

Lives, can be light as air but drape a haunting
Stillness on the trees even as a breeze flows through.