Category Archives: Poetry

Spring song

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Spring song

The hours hang from the chandelier of night.
One goes out; no sleep. Instead, a memory

of a walk with a friend in the woods of the northeast
where pines grew around stones the size of homes.

We’d climb and stand atop, surrounded by green
needles breeze-shimmering. I wanted to show her

how the thick green moss peels back
from the rock like the skin of an orange.

But the higher we get, the more we look up.
Elevated by the undiscovered, a cold complete object.

The hours glow, out of my reach. And sleep’s reach:
Peaches on a tree at a midsummer dusk

behind the orchard’s mesh fence. One drops out of sight:
silence: there’s no sound to the yearning for absence.

No explaining that what I’m yearning for
will warm with the next sun

but not change as flowers come and go.
I knew as a child about love,

that you can pick it up a like a rock,
keep it in your pocket like a talisman, lose

it without telling a lie or changing the love at all,
it’s misplaced, it’s discarded, it’s thrown away

but it’s always somewhere and will never change.
Let the spring moss find its crevices and cover it.

I don’t want to see another minute of this night.
I want to lie beneath the season.Underneath, where rocks lie

Far from the ocean, walking beside my house I sense the coast

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Far from the ocean, walking beside my house I sense the coast

1.
Far from the ocean, walking beside my house, I sense the closeness
Of salt and seafood, cigarettes in beach sand, the smell of dunes.

Things had been going like this, I’ve been woken up in the spring blackness
By other springs, springs long gone or a spring out of place

Or just a piece of spring, like peonies from the garden of my first years
Of being a parent showing up near the bird bath in the backyard

Of the family house on Cape Cod when I was twelve. The wind coming from anywhere
To that yard smelled like the dunes and the sea and it never smelled like rain

Even when it was raining. These mountains have long felt like home but
Never smelled like it.

2.
The clouds are running fast overhead,
Running as if they are late to a specific appointment a few atmospheres
Over, dropping hailstones on an afternoon wedding on the coast
Or sliding smoothly behind a grove of pines at sunset
That reminds a stranger of a time before her wings dissolved.

But moving so swiftly, running so fast they change
Into shapes no longer proper for where they were going
And they hang there, hours later, in mid-air,
Fraught with loss of what they will never do,
Not knowing they are struck momentarily with light like fire in exactly
The style of a 19th century landscape in oils, a technique then borrowed
by my grandfather and painted on canvas in the third year of my life:

A slow fire over a New England field and solitary oak tree
And a few cypress trees growing slowly like ignored children
In the background at hill’s edge, where all my life I have imagined standing
Waiting for it all to move.

3.
In a closet in my mind
Above the jackets I no longer have to keep
Because I’ve buried everyone I need a jacket to bury
And I never actually wore those jackets

On that shelf in a closet in my mind I found a bomb
Ticking its way down to zero
I was looking for a love letter
I had never sent. Instead this thing
Vibrating in my hands.

I had not thought of myself as that destructive.

Your earth is sailing away from me, here on this satellite of rock,
Decomposing with each circuit around the heavenly body.
My only true virtue is my patience:
I wait until you are beyond the strength of my reach
To lob this beating thing.

4.
I made a smoothie for the goddess of death.
This translation from dreams is a tricky thing, I said,
I may have gotten a few ingredients wrong.
For heart I might have dropped in my father’s arteries,
For constitution the rusting stents that held

The gateways of blood open. I drank most of the wine
So only a few drops got into the mix but I took steps
On the bottle and added these lovely green shards.
I set the blender too low as I threw in the names

Of the people I’ve disappointed because the
Grinding sound reminded me of my mom’s mind’s wheels
Mis-gearing over and over for seven years and it comforted me
To think you had to wait that long for someone so strong.
Elsewhere I was just acting on a hunch as good chefs do.
For example it’s not good to eat broken hearts

Without a lot of salt. People need time to relax and socialize
With you. I’m done with this fight-or-flight impulse. It takes a long time
To pour this damn thing. Sit down and let’s watch together.

5.
Far from the ocean, walking beside my house.
I can hear the peonies muffled like the kidnapped

Right before the hero comes in to save them.
And like them, when they are free the peonies will have

Forgotten what was so urgent to say. And their gratitude
Will unfold in every direction for anyone with eyes to see.

6.
Between blades of grass in the backyard far from the bay
blue wildflowers surface like a body of water on a map. Knee deep
In low tide on Cape Cod I could see my teenage self split in two
Shadows, one on the surface of the water and one on the
Scalloped sand below. I was different shapes of myself even

In a single moment, that each of my friends that summer
Saw a different silhouette of me. One they still see
In memories, stacked fresh like the fish in cold storage houses
After which the beach was named. The beach of my childhood

is a real place, after all, wet as water
With a name that’s no metaphor though sometimes a name
Like a tide pulls back some of the present as it goes
And pushes some of the past into the future. Which is to say

When a cloud ran quickly overhead the sun made it
Seem as if a tree had suddenly appeared in silhouette along
The grass, and its leaves were blue flowers. And when the next
Cloud came and the tree disappeared, it was no surprise.
I’ll remember it both ways.

7.
Clouds gather around the mountain
Like seagulls around a junkyard.

Spring clouds can be scanned across the sky like syllables
In a sorry sonnet. The rain is real, the rest is reflection.

Far from the ocean, walking beside my house I sense the coast,
I am at the edge of things surging and things pulling back,

Like lying for hours in the pit of night pulling a blanket over
My head to try to sleep only to wake up and realize it was

A dream of sleeplessness. Waking to the sleepwalking death toll
Taking one more step. Waiting for the season to pass like a cloud

And to share the smell of salt and sand on a crowded beach.
To be stronger than these thousand words.

This crushing craft

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This crushing craft

Inevitable shadows.
This crushing craft of being

a parent without parents.
Falling from a tree

As a nine year old.
Mapping the light as it spirals

Out of my dizzy eyes. Rattled
By reality’s gravity. Then the light

Gathered into the sun,
The swimming shadows into leaves.

The earth slowed down until
I could stand again. Now the sense

Is more of a sliding away decade,
Wonder with a sideshow of work.

*

In the south one day by a public library
An elephant’s trunk reached out for me

Through the temporary circus fencing
And I reached back. The vine of muscle

Coiled almost to my shoulder and held.
For a full minute we stood there

In a terrible freedom, neither of us letting
Go as everything else spun into shadow.

To the tune of a song not yet written

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To the tune of a song not yet written

I dropped my name in an empty star
the risers sagging with the rot of time

Found a hole in the ground but the sign says climb
Dad where did you go Son I’ve not gone far

By the streaky window with hands of a child
Drew a shape through my breath that I called Forever

Drew down the wind my heart was a fever
My lover woke me with the hands of a weaver

Mom where did you go Son I knew you were clever
Now the morning’s come now the air is mild

Son the house of your life is balm for pain
And your children ride the curve of the river

Son where did you go there’s news to deliver
And the roof does not explain the rain

The plague spring

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The plague spring

1.
Spring blooms with empty streets.
Chain-links sprout and spread overnight

and flower with heavy locks on
the fences around basketball courts.

A few people drift by the closed library
like pollen, moved by invisible laws.

The sun buckles and stalls.
It’s the spring of closed doors.

2.
We wait for something unexpected
that would signal the expected’s return.

Down the street a car sneezes and drives
off like it’s allergic to us.The pileated

woodpecker swoops in long arcs
from leafless tree to leafless tree

like he is sewing up a wound. When
his red crest twitches as he tightens

the thread, will there be pain?

3.
There’s a sound everywhere this sunny day,

a faucet in the world being turned off. We huddle
in the quiet, afraid of being alone.

The quiet of the afraid is worse than the quiet
of the dead, who are not around to hear it.

Before peonies, late March 2020

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Before peonies, late March 2020

One day you walk out your door, unhappy.
Your eyes roll with anger, looking anywhere

for relief, but find none. The agitation dislodges
a lash which falls, unmissed like a happy moment

not worth your time, to the earth by the walkway.
A season passes. The last week of March

you walk out your door, unhappy, head down,
your unhappiness fortunately angled so you see them.

They rise like something going backwards in time.
Like how memories grow. Curious, inevitable.

Snakes rolled over by countless tires, crumpled
yet rising to unheard music, enchanted maybe.

Each morning they elongate, uncrinkle, dance
slowly toward the sun. The crumpled snakeheads

fill with — what? — the moment you discarded
and the countless moments it created in turn,

filling like a reverse venom, crowding out the poison
tooth of regret, bursting open, these are all the

effects of your happiness, countless effects of being,
weightless and regal, dancing in the slightest breeze

or is that you dancing, crushed snake of a soul,
forgiving the wheel and opening to the sun?

Sheltering at home

 

Sheltering at home

The days of the week want to help me
But their name tags have faded

The house sighs for us so we can lie
Still enough to pretend we’re dreaming

Up on the hill the school closes its mouth
For spring and birds in the backyard

Sound the same though I seem to finally
Know what they’re saying. We’ll survive

Will you will you

Middle Winter [8] — Poetics

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Middle Winter [8] — Poetics

Sometimes I stay away from my words
so I do not write the poem I should

not write  sometimes I call to my words
to make that very poem without me

*

Sometimes I build a poem so
carefully from the foundation up

over time, like a house. Carefully
but not like you carefully construct a

statement. That poem so carefully
built is no more a statement than

a house is. You can live in a house
or a poem but not in a statement

which is a small thin thing that is
laid on a table in a house and holds

nothing up nor lets nothing down.
Sometimes a poem is a raindrop

on a piece of paper on which
a statement is written, on a table

close to an open window on
a mild midwinter day.

*

The poem is a rock thrown from the moon.

Or the moonflower that furls into a fist at the
sun every morning.

Middle Winter [7]

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Middle Winter [7]

7.
Midwinter flows like a week of Thursdays.
On the real Thursday there’s an imposter

air about the hours. From the moment I wake
and walk the dogs outside, the morning rain

sounds dry, like pieces of paper running away.
On the seventh day, on the real Thursday

the thunder god will appear as I watch
the dogs piss on the earth, astride a leaf

in his tiny chariot of goats swept downstreet
by the runoff, and slam his hammer against

the midrib of the maple vessel almost
as if he didn’t know controlling the weather

doesn’t mean controlling the season.

Middle Winter [6]

fortuneteller (2)

Middle Winter [6]

6.
I raid old conversations like a graverobber.
I dig, near the mausoleum, by the stone

with no name. I dig, the clouds snap
like sheets on a line in the February wind

that hip-deep into the ground is only a whisper.
I have thrown the shovel up onto the uncut gray grass,

which covers it in the wind like an old man’s hair.
I use smaller tools, like an archaeologist or someone

looking for the bones of a creature nobody else
will believe in until they see it. The edge of a letter

appears.Then words: “Better return home.” There’s
more underneath but it’s getting dark here in my past,

there’s a fox watching me from a few graves away
and a cardinal in the elm, and a feeling that I have

missed something, the feeling is so strong that it
stands next to me, tapping me on the shoulder,

gesturing and pointing but it’s so dark I lose sight
of it and hear the the dry hum of tires on the access

road, a car door opening and the squawk of a radio.
Whoever guards this place is drawing near and it’s not me.