Category Archives: Poetry

Musicians riding on an elephant [Summer Mountains 4]

 

4. Musicians riding on an elephant

8th century, painting on a biwa

The elephant looks back the way he came
He is not afraid of what’s coming

Silence of the elephant paused forever mid-step
In a landscape painting rendered on the face

Of a lute. Above them the four strings
Of the sky tell the story

Representation of the landscape based
On the look of the characters based on the

Look of the landscape

Mountain rising like a candle un-melting
Birds fly away toward the ghosts of

Mountains the host and two guests

Tiger Hunt [Summer Mountains 3]

Tiger Hunt detail.jpg

3. Tiger Hunt

8th century, painting on a biwa

Nothing left of the one by the river
But stripes and direction

The riders will rush by their bows
Blowing kisses to the future

Not seeing the shape they desire
It must be ahead ahead

Past where the 8th century lost
Its outlines past the thin brush

Strokes of history

The mountain on the left
Surges and twists dark double

Shadows almost like stripes

Sitting under a mountain [Summer Mountains 1]

summermountains1.jpg

Sitting under a mountain

Three peaks: the host and two guests.
A way to art where images were drawn

after the shape of words for things.
Let’s call the guests Shan and Mu.

They wandered twelve miles, their host
shrunk with each mile, even they grew

smaller till a human could climb them
without a rope. They got green, waited.

On the other side of the water two women
lay down together and the plague spread

its blanket over them. Their names were pulled
from their mouths by the one who found them

and carried on the shoulders of children
to the place where Shan and Mu sat,

leafy and waiting for their host to retrieve
them. The people planted the names

and in a few seasons the names grew
into the hills and out toward the sun

like a character for a tree, or a man
buried to his waist and left to die

for stealing someone’s name
and taking it so far from their bones.

And the mountains tried on their new names
and the sound of syllables and that it

took twice as long to say a dead woman’s
name as it used to take to measure

three mountains and that was good
and to this day nobody will build

a house on the summits or
cut down a tree at the crown.

At the terminal

At the terminal

Before I was born before he was who he was

coming back from college in Rhode Island my father
saw striding across the floor of Grand Central

Station the familiar shape of his dad

off on another government trip    They met
by accident surrounded by marble and sound
people coming and going while they stood

next to each other for a moment talking

Antibody

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Antibody

I pulled the tiny mantis from the spider web:
barely a fingernail of stillness and fight.

The strands, delicate and deadly as time,
wrapped forelegs as if in actual prayer.

It’s not pleading, and I’m not asking
for recognition as I remove the silk

And shred the spider’s web.
We build whole faiths on this foundation,

That something larger than us can disentangle
us from reality. When nothing comes

to remove us from dis-ease, our hope suspends
us till we can’t move. But I can act, not as god

but as antibody, I can act because I’m of this world,
enough death within me to save a life

and save what would be killed without killing
what would kill. I don’t claim to be fair

as I leave it on the porch rail to finish freeing itself.
Whole faiths have fallen on less.

Some things spread, and some things don’t.
We light the match to burn it. Our mistake

was believing we were loved before we felt
the love, then believe we need to earn it.

Carry me

Carry me

1.
It’s fake noon in the eastern spring. The hungover sun’s
an hour behind schedule, or savings time’s an hour
ahead of the real morning, but at twelve my shadow still
leans against the porch like it needs more coffee
to stand mid-day straight in this plague tilted May.
I’m carrying the dead man’s book of bad advice from
the heart. Born in Germany, brought up in Israel, he’d fought
in two wars and done something brave once, carrying
an injured man through gunfire. There’s a precision to a bullet
missing its mark that the missed can feel, the smallness of a bullet
as cause of death and effect of a whole series of processes
and willful acts unrelated to intent to kill. And when a bullet
misses all those acts lose their potency; though when a bullet
hits every human act leading to it shares the weight
of a life. He could have been chased by gnats or horseshoe flies
on a hot beach at dusk, carrying his lover piggyback to the dunes.
He could have run from car to porch, dodging snowflakes
with an armful of gifts under his coat; the speed of what’s coming
doesn’t make it easier to avoid. The storm of death is vast and
rushing; the light falling of cancer, quiet, drifting, unavoidable.

2.
As if he realized the folly of his success against bullets, for decades he threw
himself in front of every love propelled near him, maybe he was trying
to save others from the heartbreak a single instance of intimacy
can cause as it impacts and splinters within. Even if you survive
it you can’t pull out all the pieces, and some float in your body
years later, still moving like everything internal and not fixed
toward the heart. The dead man’s advice is not really advice,
more reverse propheteering, explaining all the bullets that
are missing us as he carries me away from the moment.
And now I am carrying him, the lightest dead man ever
buried or burned in trails of trembling ink.

3.
I want you to carry me, not like the wounded but in these words,
and there will be a lightness to the air around you as you finish reading,
like when the rain stops or the battlefield is hushed or
you come out of traffic to a quiet road in the middle of the day
and even the shadows are out of tune with the time as if
the poem itself has stopped them in their tracks to listen
and then kept going on and on for an hour.
And you’ll carry me to a porch of shade
and sunlight at a false noon but also
I’ll carry you, you’ll be just a little lighter as the book in your
hands does its real job, to lift you and bring you to safety,
to promise you nothing but to make the pain more precise and less
Overwhelming, bullets and not a bomb.

May 5th

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May 5th

A fifth of May would be almost a week, not a day.
A fifth of a family is to be part of five lives, not fewer

than one. Alone, I’ve felt myself seeping out to the night,
not unpleasantly, and becoming less than myself

while more of the world, some animal, some star,
some puddle in a wheel rutted driveway seeping in

to the earth like a feeling absorbed by a body
and turned into a thought, an ache, a name.

A number that remembers isn’t doing its job,
only a fifth, which is fine, more like fingers

interlacing or opening like a flower in May
till the whole of us can’t be located

April 28

file (6) (1)

April 28

A thousand miles up and over
a rough-hewn stone sits atop

the bodies of my parents
A smooth space on the side

for a name that will mean
Nothing to anyone in time

On this their anniversary
beside each other for

the first time in almost
a decade the rain has fallen

As if they planned this day
when they picked that stone

with the rough divot they hoped
would collect rain for the birds

My wife writes poems

gypsy

detail from painting by Mary Winifred Hood Schwaner

My wife writes poems

My wife writes poems as email drafts, in the tub
with the door cracked open, she won’t compose

in a document because that seems too permanent,
she says.Usually I walk in at some point to check

on her and she’s writing but she may be looking at
houses for sale, thousands of houses, here, there,

in Providence, Rhode Island, in Greece, in Fall River
Massachusetts, or she may be reading about process

theology, but often enough she’s writing poems and
at times the email draft doesn’t save and that poem

is lost forever, like a house someone else bought, we’ll
never know what it’s like inside or how the light settles

in each room, and I’m usually drinking wine, or coffee,
depending how late she takes her bath, and she will read

to me what she’s written, or show me pictures of six
bedrooms in a house that is overpriced or underpriced.

When I wake up every night and can’t sleep and hear her
soft breathing beside me, her forearm draped over me,

I am tempted to move her arm, get out of bed, open her
phone and look at her poems, written by her as she

lay immersed in warm water, exposed but protected
like in a dream, and find the right person to send each

poem to, one to Jesus, to St Augustine, to her grandma
who visited her once from the unaddressable beyond,

here’s one to the spirit of the flesh, and to the floating
spirit, and to the minute still to pass, and this one’s

for me, this too, and here’s one for you, if you read
you will understand, and another, and for you, you.